波多野吉衣哪部露了-Around the world, many authoritarian regimes — having largely corralled the internet — now have declared war on the written word, their oldest enemy. The received wisdom after the close of the Cold War was that physical books were outdated, soon to be swept aside in the digital age; and that the internet was instead the real threat to governments seeking to repress provocative thinking. A generation later, the opposite may be true.
波多野结衣露出作品-The People’s Republic of China has been the most successful in curbing the internet. But their stranglehold on society is also the result of their largely successful push in the past decade to ban nearly all bookstores, books, authors and academics that do not adhere to the Communist Party’s line. Even before the current Hong Kong protests, there was a crackdown on Hong Kong publishers. In the fall of 2015, associates of the Causeway Bay Books store disappeared, later discovered to have been detained on the mainland, accused of trafficking in “illegal” books critiquing leading members of the Communist Party. In 2017, the Communist Party formally took control of all print media, including books.
波多野吉衣哪部露了-They are, of course, far from alone. Wherever authoritarian regimes are growing in strength, from Brazil, to Hungary, to the Philippines, literature that expresses any kind of political opposition is under a unique, renewed threat. Books that challenge normative values, especially those with L.G.B.T. themes, have been hit especially hard. History textbooks crafted by independent scholars are being replaced with those produced by the state at a disturbing rate. In Russia, a new even stricter set of censorship laws was announced in March to punish those expressing “clear disrespect” for the state (i.e. effectively Putin himself).
波多野吉衣哪部露了-Last month, the Turkish strongman Recep Tayyip Erdogan’s education minister Ziya Selcuk revealed — proudly — that 301,878 books had been taken out of schools and libraries and destroyed. All these books were purportedly connected to Fethullah Gulen, the cleric blamed for the failed coup attempt against Erdogan’s government in 2016. Since the coup, a report by English PEN found that several periodicals and 30 publishing houses had been shut down and that 80 authors have been prosecuted or criminally investigated.
波多野结衣露出作品-The list around the globe goes on. In Egypt, the regime of Abdel Fattah el-Sisi has imprisoned independent writers, raided bookstores and forced libraries to close. At the extreme end of the scale, ISIS notoriously burned over 100,000 rare books and manuscripts housed in the Mosul Public Library, some dating back a millennium.
波多野结衣一二三级-Regimes are expending so much energy attacking books because their supposed limitations have begun to look like strengths: With online surveillance, digital reading carries with it great risks and semi-permanent footprints; a physical book, however, cannot monitor what you are reading and when, cannot track which words you mark or highlight, does not secretly scan your face, and cannot know when you are sharing it with others.
波多野吉衣哪部露了-There is an intimacy to reading, a place created in which we can imagine the experiences of others and experiment with new ideas, all within the safety and privacy of our imaginations. Research has proved that reading a printed book, rather than on a screen, generates more engagement, especially among young people. Books make us empathetic, skeptical, even seditious. It’s only logical then that totalitarian regimes have made their destruction such a visible priority. George Orwell knew this well: the great crime that tempts Winston in “1984” is the reading of a banned book.
波少野结衣-The United States used to stand up against this erasure of intellectual freedom. When America entered the Second World War, verbal attacks on Nazi book burning were a central plank in the Office of War Information’s propaganda strategy. “No man and no force can take from the world the books that embody man’s eternal fight against tyranny,” President Franklin Roosevelt declared.
色婷婷亚洲婷婷7月-During the Cold War that followed, the federal government established a network of 181 libraries and reading rooms in over 80 countries. In 1955, specially-made lightweight copies of Animal Farm were flown from West Germany into Poland by balloon. The unifying principle — despite the terrible hypocrisy of Jim Crow — was that freedom of thought abroad would ultimately favor the spread of tolerant, free liberal democracies.
波多野结衣一二三级-The United States was not always on the side of the angels in the Cold War and in Latin America presidents have backed authoritarian regimes at the expense of dissidents. But Jimmy Carter, for instance, forcefully defended playwright Vaclav Havel and his fellow Czechoslovak dissidents in the late 1970s, even when it imperiled his foreign policy of détente.
波多野吉衣哪部露了-The tepid response of the Trump administration to the murder and dismemberment of the Saudi critic Jamal Khashoggi is just the most egregious example of why the global defense of freedom of the press and speech is no longer an American priority. The State Department has made barely a peep about any of this. Perhaps it should come as no surprise coming from a president who is almost comically boastful about his antipathy to reading.
色婷婷亚洲婷婷7月-Not that literary dissidents are helpless. As the Russian poet Osip Mandelstam, who himself died in a Soviet gulag, is said to have put it: “If they’re killing people for poetry, that means they honor and esteem it, they fear it, that means poetry is power.” The perverse logic of censorship is that in attempting to repress literature, it lures a new generation of dissidents.
色婷婷亚洲婷婷7月-The age-old strategy of “samizdat,” clandestine self-publishing, is mobilizing once again. Even in North Korea, where the pseudonymous author “Bandi” managed to smuggle out a collection of stories and poems to the West.
波多野结衣露出作品-The consequences of America standing by apathetically could be disastrous — particularly if Mr. Trump and his secretary of state, Mike Pompeo, remain in power for another four years. In classic dystopian novels of the near-future — “Brave New World,” “1984,” “Fahrenheit 451” — the digital world is ubiquitous. The ghostly absence of books, and the freethinking they seed, is the nightmare. For much of the world, it’s not an impossible fate
波多野吉衣哪部露了-Duncan White, assistant director of studies in history and literature at Harvard University, is the author of “Cold Warriors: Writers Who Waged the Literary Cold War.”
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